Which technique was used by Bernstein in West Side Story?

Which technique was used by Bernstein in West Side Story?

The tritone has a jarring, unnatural sound, and thus is used carefully in Western tonal music. Bernstein makes great use of the tritone throughout the West Side Story score, most famously as the first two notes in the refrain of “Maria.”

How many dances are in West Side Story?

Four Dances
Four Dances from West Side Story features some of the highlights of these dance sequences transcribed for band. The “Scherzo” is a light-hearted, care-free movement that comes from the Dream Ballet of the musical, in which Tony imagines a world of peace and harmony to which he can take Maria.

What are Symphonic Dances?

The Symphonic Dances combine energetic rhythmic sections, reminiscent of Stravinsky’s The Rite of Spring, with some of the composer’s lushest harmonies. The composition includes several quotations from Rachmaninoff’s other works, and can be regarded as a summing-up of his entire career as a composer.

When was Symphonic Dances from West Side Story written?

1961
Due to the immediate success that West Side Story received from critics and audiences, Bernstein soon adapted it into the Symphonic Dances from West Side Story in 1961.

How long did it take to film West Side Story?

79 days
It wrapped on September 27, 2019 for a total of 79 days of shooting. All of the sets were constructed at a warehouse at Steiner Studios.

Who wrote music West Side Story?

Leonard Bernstein
West Side Story/Composers

How long is West Side Story?

2h 36m
West Side Story/Running time

How old is Tony in West Side Story?

It’s a beloved story about romance and resilience. According to Broadway World, there’s a substantial age gap between Tony and María, with Tony being an estimated 30 years old and María just 21. Zegler was born on May 3, 2001, while her co-star was born on March 14, 1994.

Did Bernstein orchestrate West Side Story?

The début of West Side Story coincided with the appointment of Leonard Bernstein as principal conductor of the New York Philharmonic.

Did Leonard Bernstein orchestrate West Side Story?

In the interest of efficiency, Bernstein’s colleagues Sid Ramin and Irwin Kostal, who had just completed the orchestration of West Side Story for its film version, suggested appropriate sections of the score to Bernstein, who placed them not in the order in which they occur in the musical but instead in a new.

How long is the intermission in West Side Story?

Jerome Robbins’ legendary choreography has been Jet-tisoned along with the “Somewhere” ballet, and Maria’s chirpy “I Feel Pretty” was given the ax. There’s no longer an intermission, with the musical now running a breakneck one hour and 45 minutes.

What are the Symphonic Dances by Leonard Bernstein?

In the opening weeks of 1961, Bernstein revisited his score for West Side Story and extracted nine sections to assemble into what he called the Symphonic Dances. The impetus was a gala fundraising concert for the New York Philharmonic’s pension fund, to be held the evening before Valentine’s Day.

What happens in Symphonic Dances from West Side Story?

Climactic gang battle; the two gang leaders, Riff and Bernardo, are killed. Maria’s I Have a Love develops into a procession, which recalls the vision of Somewhere. Throughout the Leonard Bernstein Centennial, Symphonic Dances from West Side Story was by far the most performed work.

Was Leonard Bernstein’s ‘West Side Story’ the most popular work of 2018?

Throughout the Leonard Bernstein Centennial, Symphonic Dances from West Side Story was by far the most performed work. According to Bachtrack.com ’s 2018 statistical performance survey, Leonard Bernstein was the third-most played composer for the year, alongside Beethoven, Mozart, Bach, and Brahms, taking a top spot among the perpetual greats.

What is Bernstein’s style in on the town?

The four shows On the Town, Wonderful Town, Candide, and West Side Story show a progressive line of stylistic integration in Leonard Bernstein’s compositional development. An ever-advancing economy of musical means and tightening of structure proceeds from one show to the next.