Does the Tokina 11-16mm work on full-frame?
The Tokina is equally sharp throughout almost the entire frame, and only in the most extreme corners does the image begin to stretch and blur slightly. In fact, the Tokina 11-16mm f/2.8 is the ONLY way a Nikon user can get 16mm, f/2.8, and filter threads all in the same lens, on both full-frame and DX!
Which is better full-frame or crop sensor?
“You can’t achieve the same low-light performance with a crop sensor that you can with full frame; full frame is so much sharper, clearer, and gives you less noise and more detail,” says photographer Felipe Silva. Astrophotography is one low-light scenario where the larger sensor really shines.
What makes the Tokina 11-16mm so special?
Since this Tokina 11-16mm has a 9-bladed diaphragm, you’ll get magnificent 18-pointed sunstars. They are more pronounced as the light source gets brighter and as you stop down. Tokina 11-16mm focus and zoom controls. The Tokina is a joy to use. Its limited zoom range is well spread out on the zoom ring, making it easy to set precise composition.
What is the difference between Nikon 14-24mm and Tokina 11-16mm?
Compared to the Nikon Nikkor 14-24mm f/2.8 This Tokina 11-16mm is a completely different lens from, and intended for completely different purposes than, the hulking, two-pound, $1,600 Nikon 14-24mm f/2.8. If you’re considering this Tokina, it is highly unlikely you’d be considering the Nikon 14-24mm f/2.8 for the same task.
Is the Tokina ATX-I lens good for video?
Introducing sample video shot with Tokina atx-i 11-16mm F2.8 CF on Blackmagic Pocket Camera 6K. Tokina atx-i 11-16mm F2.8 CF is an ultra-wide lens for APS-C format that can be an excellent option for video content production and filmmaking.
Is the Tokina 11-16mm good enough for the Nikon D3?
Here’s a secret: take off the filter and hood and and this Tokina 11-16mm works reasonably well as wide as 15mm, if you don’t mind softer corners wide-open, on film and FX. Shoot in the Nikon D3’s 5:4 mode and you’re good as wide as 13mm!
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